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Showing posts from December, 2022

ORTET | BNP Spoken Word Remixxx | LIVE at The Blockhouse

  https://soundcloud.com/urnbluoli/ortet-bnp-spoken-word-remixxx

UCLA'S PROFESSOR OF PUNK | Serena Golden, 2015

  " From 1946 through 1958, the United States used the islands in the western Pacific as a test site for nuclear weapons. The most devastating of these, a hydrogen bomb code-named Castle Bravo, was detonated on March 1, 1954, on Bikini Atoll. Castle Bravo was about 1,000 times more powerful than the bombs dropped on Hiroshima and Nagasaki, and the fallout sickened people living on the neighboring atolls of Rongelap, Rongerik and Utirik. The islanders were given no advance warning, and were not evacuated until several days later. Intrigued by a Bikinian song of mourning that made reference to nuclear testing and its fallout, both figurative and literal, she contacted the liaison between the U.S. government and the Bikinian people. He encouraged her to come and listen to the inhabitants’ songs in person. Not long after that conversation, Schwartz relocated to the Marshall Islands, where she spent two years conducting the research that became her dissertation, “Resonances of the Atom...

🤠 HALF EMPTY GIRL | Eliza & The Delusionals 🤠

 

THERE'S SOMETHING COMFORTING ABOUT IT (HOLDING ONTO PHYSICAL MEDIA) | Michael Sun (2022)

"[. . .] Commitment to hard copy is the only way to skirt around the fickle decisions of streaming services, where availability of titles is subject to an impenetrable alchemy of considerations: audience demand, the whims of licensing, and sheer storage capacity. The scarcity of some hard copy film editions isn’t all that different to rare books, says Geoff Gardner, the founder of Cinema Reborn, a boutique film festival in Sydney dedicated to screening classics seldom seen on the big screen. There are ways, of course, to bypass the shortcomings of streaming services through what he winkingly calls “the backchannels” and “the illegitimate”, but it doesn’t compare to the solidity of “filing it away, putting it in the box”. A return to older formats, even for the average viewer, says Mattes, might also go some way in alleviating selection fatigue – the hours spent scrolling online, undone by the tyranny of choice." READ MORE:  https://www.theguardian.com/film/2022/may/19/theres-...